Hello
Adele, 25, 2015
Writers: Adele, Greg Kurstin
Producer: Greg Kurstin
Label: Columbia
Hop to Another SongFm G#/D# D# C#
HelFmlo…G#/D# it’s D#me, C#
I was Fmwondering if G#/D#after all these D#years you’d like to C#meet
to go Fmover…G#/D# everyD#thing. C#
They say that Fmtime’s supposed to G#/D#heal ya
but I ain’t D#done much heC#aling.
HelFmlo…G#/D# can you D#hear me? C#
I’m in FmCalifornia G#/D#dreaming about D#who we used to C#be
when we were Fmyounger…G#/D# and freD#e. C#
I’ve forFmgotten how it G#/D#felt
before the D#world fell at our C#feet.
There’s such a Fmdifference D#
beCmtween usC#
and a FmmilliD#on miC#les…
FmHello from the C#other sG#/D#idD#e,
I Fmmust’ve called a C#thousand tG#/D#imD#es.
To tell you Fm I’m
C#sorry… for everyG#/D#thing that I’ve doneD#
but when I call Fm you
nC#ever… G#/D#seem to be hoD#me.
FmHello from the C#outsG#/D#idD#e,
at Fmleast I can say C#that I’ve tG#/D#riD#ed.
To tell you Fm I’m
C#sorry… for G#/D#breaking your heaD#rt
but it don’t mattFmer, it
C#clearly… doesn’t G#/D#tear you apaD#rt
anymore.
Fm G#/D# D# C#
HeFmllo…G#/D# how D#are you? C#
It’s so Fmtypical of G#me to talk abD#out myself, I’m C#sorry.
I Fmhope…G#/D# that you’re D# well – C#
did you Fmever make it G#/D#out of that town
where D#nothing ever C#happened?
It’s no Fmsecret D#
that the Cmboth of uC#s
are rFmunning ouD#t of tiC#me.
So Fmhello from the C#other sG#/D#idD#e, (o…ther side)
I Fmmust’ve called a C#thousand tG#/D#imD#es. (thou…sand times)
To tell you Fm I’m
C#sorry… for everyG#/D#thing that I’ve doneD#
but when I call Fm you
nC#ever… G#/D#seem to be hoD#me.
FmHello from the C#outsG#/D#idD#e, (out…side)
at Fmleast I can say C#that I’ve tG#/D#riD#ed. (I’ve… tried)
To tell you Fm I’m
C#sorry… for G#/D#breaking your heaD#rt
but it don’t mattFmer, it
C#clearly… doesn’t G#/D#tear you apaD#rt
anyFmmore. C#
(highs, highs, highs, highs, lows, lows, lows, lows)
D#hooG#/D#… anyFmmore C#
(highs, highs, highs, highs, lows, lows, lows, lows)
D#hooG#/D#… anyFmmore C#
(highs, highs, highs, highs, lows, lows, lows, lows)
D#hooG#/D#… anyFmmore C#
(highs, highs, highs, highs, lows, lows, lows, lows)
anyD#more
FmHello from the C#other sG#/D#idD#e, (o…ther side)
I Fmmust’ve called a C#thousand tG#/D#imD#es. (thou…sand times)
To tell you Fm I’m
C#sorry… for everyG#/D#thing that I’ve doneD#
but when I call Fm you
nC#ever… G#/D#seem to be hoD#me.
FmHello from the C#outsG#/D#idD#e, (out…side)
at Fmleast I can say C#that I’ve tG#/D#riD#ed. (I’ve… tried)
To tell you Fm I’m
C#sorry… for G#/D#breaking your heaD#rt
but it don’t mattFmer, it
C#clearly… doesn’t G#/D#tear you apaD#rt
anymoFmre.
G#/D# D# C# Fm